January 27, 2018

REVIEW: Otto is a Rhino


Look, I said I was gonna do it, and by God I'm a man of my word. This is the end; the final entry from Crone Film that I'm subjecting myself to. I thought it would be good for a laugh at first, watching Freddy Frogface and Ivan the Incredible, but I think it's safe to say that I've simply said all I can say about these films. This is the final nail in the coffin; my obsession with Crone Film ends with Otto is a Rhino (yes, I know what the poster says, but the title card at the beginning of the movie says Otto is a Rhino, so there). Like the other films in this cracked-out trilogy, this is based on a Danish children's book, only it's been stretched out to fill just over an hour runtime. Again, I'm not sure if it's just a poor adaptation or if the books these films are based off of are equally as intolerable, but I'm also not sure it matters. Otto is a Rhino is an outright chore to get through, and I wouldn't expect anything but at this point.

The plot involves the same gross, ugly kid that appears in every one of these movies. Only this time, he finds a magic pencil that he uses to make a giant, yellow rhino. That's about the entire plot in a nutshell; a rhino appears in an apartment building and the entire rest of the movie is simply characters reacting to this oddball occurrence. There's no adventure or fantasy or anything at all engaging, just a bunch of unlikeable characters attempting to benefit from a sentient being born from someone's wall. "Let's bring a rhino to life" is the farthest this story wishes to experiment with the idea of a magic pencil that can make anything real, and I'm not sure if we're better off or not for that lack of imagination.


Really, "lack of imagination" sums up the entire film. There's no amount of whimsy or wonder like one might expect from a plot like this. The titular rhino isn't anyone's friend; it's a big, gormless animal with all the situational awareness of a houseplant. You look at all the other children's films where our kid protagonist makes a fantastical friend, films like The Iron Giant and Pete's Dragon, and you can get a sense of all the hard work that went into making the Giant and Elliot into actual characters rather than just plot points. Here, Otto the Rhino is just a prop for our host of equally dim characters to react to. It's not even made clear that he understands who the children are or how they brought him to life. It's Frosty the Snowman if the titular character was brought to life with a sub-zero IQ; we can't feel any sympathy for something that displays all the sentience and personality of a bootleg Chia Pet. Otto doesn't even get into any comic hijinks. He's tremendously docile for a rhino, content to just stand in one place and eat the drapes. It's the cinematic equivalent of an imaginary friend who does nothing but teach children how to do their taxes.


The human characters aren't much better, each one displaying a dizzying single personality trait. The cowardly kid is scared. His father is a jerk. The firemen are all idiots. It's not like I was expecting Alan Moore's Watchmen or anything, it's a children's film adapted from a children's picture book. It's okay to have flat or static characters, as long as they have something interesting to do, and that's where this film really shoots itself in the foot. They present a world of literally endless possibilities, where anything you can draw can come to life, and decide to waste that potential trying to get a rhinoceros out of an apartment building. Even that barebones description sounds too imaginative and exciting for this movie, considering most of the conflict revolves around the success of an independently-run café.

Let's pretend this isn't a problem; say this is meant for actual toddlers with the attention spans of goldfish. Sometimes a children's book doesn't really need to have a point or message, so long as it gives young kids something novel and interesting to latch onto that will get them interested in reading. Curious George is a series built entirely around the concept of a monkey being a monkey in different places, we don't always need to inspire an epiphany in every four year old just before nap time. But if this is truly meant to be something mom and dad can throw on for an hour of peace while Junior sits in the playpen, why is it so all-around unpleasant? Why does every character have beady little eyes and bulging Gary Busey teeth? Why are there references to casual sex, binge-drinking, and polygamy? It's a children's film where the only people who are going to get anything out of it are those who imbibe copious amounts of mind-altering substances beforehand. Believe me, for as much as I'm bashing this abomination, I can't imagine it's anything but a rollicking good time if you and your friends find yourselves half in the bag (especially if there are any animation students present).


It's about now that I wonder if there's even any point in giving my final thoughts on Otto is a Rhino. Like I'm going to actually recommend this to anyone but drunk or stoned twenty-somethings who have nothing better to do. Look, I'll be blunt; if you're a parent, give your child something better than Otto the Rhino. When you find yourself in a position to decide what entertainment your child gets exposed to, take care enough to give them something better than this. Sure, sometimes you really just need them to sit in front of the TV and shut up for a few minutes so you can hyperventilate into a paper bag (and maybe scarf down some uneaten mac and cheese) without being hounded. Believe me, I get it. But it can't really be understated how much of an impact the media we consume has on the people we end up becoming, especially as children. I can't even compare Otto is a Rhino to something like McDonald's, that's how unsubstantial it is as a piece of children's content. If you make the decision to fill your child's head with garbage like this, you're potentially depriving them of extraordinary parts of our culture. Films can change our lives, and it's your responsibility as a parent to make sure that it's for the better. Rather than... whatever the hell this is.

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